The Price  



The Price (1985)

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The Price Movie Overview

Geoffrey Carr is a wealthy, key player in Britain's emerging computer industry, and newly married to Frances , a much younger woman, with wilful daughter Clare from a previous marriage. He'll do anything to make them happy, including stretching his finances to buy a Georgian estate in County Wicklow, where Frances grew up. Frank Crossan is an Irish Republican hitman on the run from British authorities. Seeking refuge with old girlfriend Kate, he creates a plan to kidnap a wealthy Brit for a ransom to fund a major arms deal. Their two worlds collide when Frances and Clare are brutally snatched away to a bleak hideaway and taken hostage. Geoffrey initially wants to cave in to the kidnapper's demands “ but nothing is simple when a personal crisis plays out against the forces of political intrigue, high finance and with the eyes of the media on them.

Director: Peter Smith

Release Date: 1985-01-10
Status: Released
Run time: 360 min / 6:0
Production Companies : RTÉ, Telepictures
Production Country: United Kingdom
Release Date: 1985-01-10
Status: Released
Run time: 360 min / 6:0

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Casts

Harriet Walter
as Frances Carr
Peter Barkworth
as Geoffrey Carr
Derek Thompson
as Frank Crossan
Aingeal Grehan
as Kate
Susanna Reid
as Clare
Nicholas Jones
as Andrew
Adrian Dunbar
as Willy
Linda Spurrier
as Margaret
Simon Jones
as Lansbury
Hugh Fraser
as Richard Lefray
Denys Hawthorne
as Doherty
Mark Mulholland
as Watson
Colm Hefferon
as Garda Twomey
Peadar Lamb
as O'Hanlon
Ruth Hegarty
as Eileen
Oliver Maguire
as McLaughlin

Crew

Directing Peter Smith Director
Writing Peter Ransley Writer

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  • Review: Mike Nussbaum deals in furniture, and memories, in "The Price" at TimeLine Theatre If you've ever tried to sell the possessions of a loved one, you've doubtless encountered the popular game of reducing the seller's expectations.

  • Review: Brothers Joined by Fate and Furniture in ‘The Price’ Image From left, Danny DeVito, Mark Ruffalo and Tony Shalhoub in “The Price,” a revival of Arthur Miller’s play from 1968.

  • The Price premiered in 1968, about 20 years after Salesman, and while it's rewarding to witness a great playwright grappling with complicated issues concerning personal obligation and the income gap, this is a frustrating work which, despite its fine ingredients, feels half-baked.

  • and remember, turn around, don't drown. ...flood watch remains in effect until 1 pm cdt this afternoon... the flood watch continues for * portions of north central wisconsin and northwest wisconsin, including the following areas, in north central wisconsin, price. in northwest wisconsin, ashland, bayfield, iron, sawyer, and washburn.

  • While The Price doesn't rank in the top tier of his body of work, it makes still-trenchant observations on the way we use money and success to define ourselves, often at the expense of family obligation or personal integrity. The meaty 1968 play also takes a sharp analytical scalpel to the obsessive national categorization of winners and perceived failures, bringing psychological complexity to characters on both sides of that divide.

  • Reviews of The Price on Broadway. See what all the critics had and read all the reviews for The Price including the New York Times and More...

  • Howards End. Roger Ebert on James Ivory's "Howards End". Ballad of Narayama "The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty.

  • Alan Mandell as Gregory Solomon in Arthur Miller's "The Price" at the Mark Taper Forum. (Lawrence K. Ho / Los Angeles Times) Arthur Miller's "The Price" is an old-fashioned play that takes a fair amount of time to get going, but when it does — midway through the second act — it explodes with the thunderous moral inquiry that has earned the author a place on the Mt. Rushmore of American playwriting.

  • The Price is a two act play that takes place in the same scene. Victor and Esther Franz are selling off furniture that once belonged to Victor's father. When his brother Walter shows up, the play takes a turn from talking about the monetary price, and the metaphorical one we pay for the ones we love.